1. AVOID HARD SURFACES
Hard flat surfaces can reflect sound which in some cases can be picked up and noticed in your various recordings. Things like hardwood floors, counters tops, concrete walls, and tiled walls are all surfaces that reflect sound and make an echo. How do I fix this you may ask? Well, you need to make the room dead! Not literally dead, but you need to deaden the room to these reflective sounds. You can do this by adding carpets or curtains and even rounded furniture to break up any flat surfaces you may have in your recording room.
2. GET STUDIO MONITORS
Trying to listen mix your recordings on regular computer speakers or monitors will not cut it! There are certain sounds and frequencies that regular speakers just can't reproduce. Also, some commercial speakers do not have a flat frequency response that is needed for you to get accurate feedback. What that means is that sometimes when the speakers are designed the makers may make the speaker sound like it has more bass or more highs. You don't want this when you are trying to listen to your recordings. Studio monitors are designed to have a flat frequency response so that you can hear exactly what you recorded and here your mixes exactly as you want them. Below you will find a link to some great studio monitors that can get you started at home.
3. HAVE A POP FILTER
A pop filter is a not so technical device that goes between your vocalist and your microphone to prevent plosives. These are the explosive sounds that come from us when we use "p", "b", "t", and "d" words. These sounds push air flow at a higher rate of speed than the other words you or your vocalist may be singing and can damage your microphone. A pop filter allows you to still have great sound recordings but it helps to disrupt the fast flowing air coming from those plosives. Click the link below to check out a relatively cheap pop filer on Amazon.com.
Pop Filer 1:
Pop Filer 1:


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